THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

call 219-374-8000 for tickets

Friday & Saturday - dinner at 6:30, show at 8:00

Sunday - dinner at 12:30, show at 2:00

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

call 219-374-8000 for tickets

Friday & Saturday - dinner at 6:30, show at 8:00

Sunday - dinner at 12:30, show at 2:00

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

call 219-374-8000 for tickets

Friday & Saturday - dinner at 6:30, show at 8:00

Sunday - dinner at 12:30, show at 2:00

call 219-374-8000 for tickets

Friday & Saturday - dinner at 6:30, show at 8:00

Sunday - dinner at 12:30, show at 2:00

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

Denial
A Drama by Peter Sagal
directed by Wayne Puchkors

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

Denial
A Drama by Peter Sagal
directed by Wayne Puchkors

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

Denial
A Drama by Peter Sagal
directed by Wayne Puchkors

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.