By
Madeleine L’Engle

Adapted by
James Sie

Directed by
Kari-Anne Innes

Assistant Director
Jill Thomas

One of literature’s most enduring young heroines, Meg Murry, is back–braces, stubbornness and all. Once again, she’s joining forces with Mrs. Whatsit, Charles Wallace, Calvin O’Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. In the end, we know two things for sure: 1. Love CAN overcome evil and 2. There IS such a thing as a tesseract.

By
Madeleine L’Engle

Adapted by
James Sie

Directed by
Kari-Anne Innes

Assistant Director
Jill Thomas

One of literature’s most enduring young heroines, Meg Murry, is back–braces, stubbornness and all. Once again, she’s joining forces with Mrs. Whatsit, Charles Wallace, Calvin O’Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. In the end, we know two things for sure: 1. Love CAN overcome evil and 2. There IS such a thing as a tesseract.

By
Madeleine L’Engle

Adapted by
James Sie

Directed by
Kari-Anne Innes

Assistant Director
Jill Thomas

One of literature’s most enduring young heroines, Meg Murry, is back–braces, stubbornness and all. Once again, she’s joining forces with Mrs. Whatsit, Charles Wallace, Calvin O’Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. In the end, we know two things for sure: 1. Love CAN overcome evil and 2. There IS such a thing as a tesseract.

By
Madeleine L’Engle

Adapted by
James Sie

Directed by
Kari-Anne Innes

Assistant Director
Jill Thomas

One of literature’s most enduring young heroines, Meg Murry, is back–braces, stubbornness and all. Once again, she’s joining forces with Mrs. Whatsit, Charles Wallace, Calvin O’Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. In the end, we know two things for sure: 1. Love CAN overcome evil and 2. There IS such a thing as a tesseract.

Join us for an evening of 10 Minute Plays.  Each of these plays is an Indiana premier!

This year's plays include:

Frameworks
By: Mike McGeever

The Elimination Round
By: Carl L. Williams

GOODBYE ITZY-BITZY
By Betty Robinson

Budget Airlines Flight 711
By: Bruce Guelden

172 PUSH-UPS
by Scott Mullen

You Haven't Changed a Bit
By Donna Hoke

About Time
By Robin Baron

Office Hours
by Bryan Harnetiaux

By
Madeleine L’Engle

Adapted by
James Sie

Directed by
Kari-Anne Innes

Assistant Director
Jill Thomas

One of literature’s most enduring young heroines, Meg Murry, is back–braces, stubbornness and all. Once again, she’s joining forces with Mrs. Whatsit, Charles Wallace, Calvin O’Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. In the end, we know two things for sure: 1. Love CAN overcome evil and 2. There IS such a thing as a tesseract.

By
Madeleine L’Engle

Adapted by
James Sie

Directed by
Kari-Anne Innes

Assistant Director
Jill Thomas

One of literature’s most enduring young heroines, Meg Murry, is back–braces, stubbornness and all. Once again, she’s joining forces with Mrs. Whatsit, Charles Wallace, Calvin O’Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. In the end, we know two things for sure: 1. Love CAN overcome evil and 2. There IS such a thing as a tesseract.

Join us for an evening of 10 Minute Plays.  Each of these plays is an Indiana premier!

This year's plays include:

Frameworks
By: Mike McGeever

The Elimination Round
By: Carl L. Williams

GOODBYE ITZY-BITZY
By Betty Robinson

Budget Airlines Flight 711
By: Bruce Guelden

172 PUSH-UPS
by Scott Mullen

You Haven't Changed a Bit
By Donna Hoke

About Time
By Robin Baron

Office Hours
by Bryan Harnetiaux

By
Madeleine L’Engle

Adapted by
James Sie

Directed by
Kari-Anne Innes

Assistant Director
Jill Thomas

One of literature’s most enduring young heroines, Meg Murry, is back–braces, stubbornness and all. Once again, she’s joining forces with Mrs. Whatsit, Charles Wallace, Calvin O’Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. In the end, we know two things for sure: 1. Love CAN overcome evil and 2. There IS such a thing as a tesseract.

Join us for an evening of 10 Minute Plays.  Each of these plays is an Indiana premier!

This year's plays include:

Frameworks
By: Mike McGeever

The Elimination Round
By: Carl L. Williams

GOODBYE ITZY-BITZY
By Betty Robinson

Budget Airlines Flight 711
By: Bruce Guelden

172 PUSH-UPS
by Scott Mullen

You Haven't Changed a Bit
By Donna Hoke

About Time
By Robin Baron

Office Hours
by Bryan Harnetiaux

By
Madeleine L’Engle

Adapted by
James Sie

Directed by
Kari-Anne Innes

Assistant Director
Jill Thomas

One of literature’s most enduring young heroines, Meg Murry, is back–braces, stubbornness and all. Once again, she’s joining forces with Mrs. Whatsit, Charles Wallace, Calvin O’Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. In the end, we know two things for sure: 1. Love CAN overcome evil and 2. There IS such a thing as a tesseract.

Join us for an evening of 10 Minute Plays.  Each of these plays is an Indiana premier!

This year's plays include:

Frameworks
By: Mike McGeever

The Elimination Round
By: Carl L. Williams

GOODBYE ITZY-BITZY
By Betty Robinson

Budget Airlines Flight 711
By: Bruce Guelden

172 PUSH-UPS
by Scott Mullen

You Haven't Changed a Bit
By Donna Hoke

About Time
By Robin Baron

Office Hours
by Bryan Harnetiaux

By
Madeleine L’Engle

Adapted by
James Sie

Directed by
Kari-Anne Innes

Assistant Director
Jill Thomas

One of literature’s most enduring young heroines, Meg Murry, is back–braces, stubbornness and all. Once again, she’s joining forces with Mrs. Whatsit, Charles Wallace, Calvin O’Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. In the end, we know two things for sure: 1. Love CAN overcome evil and 2. There IS such a thing as a tesseract.

Join us for an evening of 10 Minute Plays.  Each of these plays is an Indiana premier!

This year's plays include:

Frameworks
By: Mike McGeever

The Elimination Round
By: Carl L. Williams

GOODBYE ITZY-BITZY
By Betty Robinson

Budget Airlines Flight 711
By: Bruce Guelden

172 PUSH-UPS
by Scott Mullen

You Haven't Changed a Bit
By Donna Hoke

About Time
By Robin Baron

Office Hours
by Bryan Harnetiaux

By
Madeleine L’Engle

Adapted by
James Sie

Directed by
Kari-Anne Innes

Assistant Director
Jill Thomas

One of literature’s most enduring young heroines, Meg Murry, is back–braces, stubbornness and all. Once again, she’s joining forces with Mrs. Whatsit, Charles Wallace, Calvin O’Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. In the end, we know two things for sure: 1. Love CAN overcome evil and 2. There IS such a thing as a tesseract.

Join us for an evening of 10 Minute Plays.  Each of these plays is an Indiana premier!

This year's plays include:

Frameworks
By: Mike McGeever

The Elimination Round
By: Carl L. Williams

GOODBYE ITZY-BITZY
By Betty Robinson

Budget Airlines Flight 711
By: Bruce Guelden

172 PUSH-UPS
by Scott Mullen

You Haven't Changed a Bit
By Donna Hoke

About Time
By Robin Baron

Office Hours
by Bryan Harnetiaux

By
Madeleine L’Engle

Adapted by
James Sie

Directed by
Kari-Anne Innes

Assistant Director
Jill Thomas

One of literature’s most enduring young heroines, Meg Murry, is back–braces, stubbornness and all. Once again, she’s joining forces with Mrs. Whatsit, Charles Wallace, Calvin O’Keefe and more to battle the forces of evil so she can rescue her father, save humanity and find herself. In the end, we know two things for sure: 1. Love CAN overcome evil and 2. There IS such a thing as a tesseract.

Join us for an evening of 10 Minute Plays.  Each of these plays is an Indiana premier!

This year's plays include:

Frameworks
By: Mike McGeever

The Elimination Round
By: Carl L. Williams

GOODBYE ITZY-BITZY
By Betty Robinson

Budget Airlines Flight 711
By: Bruce Guelden

172 PUSH-UPS
by Scott Mullen

You Haven't Changed a Bit
By Donna Hoke

About Time
By Robin Baron

Office Hours
by Bryan Harnetiaux

Indiana University Northwest Performance

• Saturday, September 14, 2019
• 7:00 PM  9:30 PM
• IU Northwest Arts and Sciences Building (map)

Indiana University Northwest Performance

• • Sunday, September 15, 2019
  • 2:30 PM  5:00 PM
  • IU Northwest Arts and Sciences Building (map)

  Hosted by the IU Northwest Performing Arts Program.

  The performance will take place on the beautiful new 500-seat Theatre Northwest Mainstage on the second floor of the Arts and Sciences Building.  We recommend parking in the IUN lot at Broadway and 35th, entering the building on the south, and following the signs up the elevator.

  Free Parking and Restrooms available.

  2:30 pm Indoor performance.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

A one-act based on the book by Daniel Keyes

This hit play is about a mentally challenged man whose intelligence is surgically improved to genius level and the social and moral dilemmas that arise from this scientific experiment.

**Shows will be performed at Anderson Winery and Vineyard for one weekend only doing 5 shows.
Fri the 1st. at 7:30 pm
Then
Sat and Sunday the 2nd and 3rd will be at 2:00 PM and 7:30 PM

A one-act based on the book by Daniel Keyes

This hit play is about a mentally challenged man whose intelligence is surgically improved to genius level and the social and moral dilemmas that arise from this scientific experiment.

**Shows will be performed at Anderson Winery and Vineyard for one weekend only doing 5 shows.
Fri the 1st. at 7:30 pm
Then
Sat and Sunday the 2nd and 3rd will be at 2:00 PM and 7:30 PM

A one-act based on the book by Daniel Keyes

This hit play is about a mentally challenged man whose intelligence is surgically improved to genius level and the social and moral dilemmas that arise from this scientific experiment.

**Shows will be performed at Anderson Winery and Vineyard for one weekend only doing 5 shows.
Fri the 1st. at 7:30 pm
Then
Sat and Sunday the 2nd and 3rd will be at 2:00 PM and 7:30 PM

A one-act based on the book by Daniel Keyes

This hit play is about a mentally challenged man whose intelligence is surgically improved to genius level and the social and moral dilemmas that arise from this scientific experiment.

**Shows will be performed at Anderson Winery and Vineyard for one weekend only doing 5 shows.
Fri the 1st. at 7:30 pm
Then
Sat and Sunday the 2nd and 3rd will be at 2:00 PM and 7:30 PM

A one-act based on the book by Daniel Keyes

This hit play is about a mentally challenged man whose intelligence is surgically improved to genius level and the social and moral dilemmas that arise from this scientific experiment.

**Shows will be performed at Anderson Winery and Vineyard for one weekend only doing 5 shows.
Fri the 1st. at 7:30 pm
Then
Sat and Sunday the 2nd and 3rd will be at 2:00 PM and 7:30 PM

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.