NOISES OFF

A Farcical Comedy by Michael Frayn

Directed by Jeffrey Baumgartner

June 22, 23, 24, 29, 30 and July 1, 6, 7, 8
Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Noises Off provides a glimpse into the world of theatre. The audience will witness both the rehearsal process and what goes on behind the scenes once the curtain is raised. The play opens the night before the first performance and the cast are hopelessly unready. Baffled by entrances and exits, missed cues, missed lines, and bothersome props, including several plates of sardines, Lloyd, the director, is beyond frustrated. Seen from backstage, Act 2 provides a view of the dysfunctional relationships between the cast. Romantic rivalries, lovers' tiffs and personal quarrels lead to offstage shenanigans, onstage bedlam and the occasional attack with a fire axe. Act 3 occurs during the play's last run where relationships between the cast have frayed considerably, the set is breaking down and props are winding up in the wrong hands, on the floor, and in the way. While the actors remain determined to cover up the mounting chaos, it's not long before the plot and script are seemingly abandoned entirely in this hilarious comedy.

MOM COLE’S

NOISES OFF

A Farcical Comedy by Michael Frayn

Directed by Jeffrey Baumgartner

June 22, 23, 24, 29, 30 and July 1, 6, 7, 8
Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Noises Off provides a glimpse into the world of theatre. The audience will witness both the rehearsal process and what goes on behind the scenes once the curtain is raised. The play opens the night before the first performance and the cast are hopelessly unready. Baffled by entrances and exits, missed cues, missed lines, and bothersome props, including several plates of sardines, Lloyd, the director, is beyond frustrated. Seen from backstage, Act 2 provides a view of the dysfunctional relationships between the cast. Romantic rivalries, lovers' tiffs and personal quarrels lead to offstage shenanigans, onstage bedlam and the occasional attack with a fire axe. Act 3 occurs during the play's last run where relationships between the cast have frayed considerably, the set is breaking down and props are winding up in the wrong hands, on the floor, and in the way. While the actors remain determined to cover up the mounting chaos, it's not long before the plot and script are seemingly abandoned entirely in this hilarious comedy.

MOM COLE’S

NOISES OFF

A Farcical Comedy by Michael Frayn

Directed by Jeffrey Baumgartner

June 22, 23, 24, 29, 30 and July 1, 6, 7, 8
Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Noises Off provides a glimpse into the world of theatre. The audience will witness both the rehearsal process and what goes on behind the scenes once the curtain is raised. The play opens the night before the first performance and the cast are hopelessly unready. Baffled by entrances and exits, missed cues, missed lines, and bothersome props, including several plates of sardines, Lloyd, the director, is beyond frustrated. Seen from backstage, Act 2 provides a view of the dysfunctional relationships between the cast. Romantic rivalries, lovers' tiffs and personal quarrels lead to offstage shenanigans, onstage bedlam and the occasional attack with a fire axe. Act 3 occurs during the play's last run where relationships between the cast have frayed considerably, the set is breaking down and props are winding up in the wrong hands, on the floor, and in the way. While the actors remain determined to cover up the mounting chaos, it's not long before the plot and script are seemingly abandoned entirely in this hilarious comedy.

MOM COLE’S

NOISES OFF

A Farcical Comedy by Michael Frayn

Directed by Jeffrey Baumgartner

June 22, 23, 24, 29, 30 and July 1, 6, 7, 8
Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Noises Off provides a glimpse into the world of theatre. The audience will witness both the rehearsal process and what goes on behind the scenes once the curtain is raised. The play opens the night before the first performance and the cast are hopelessly unready. Baffled by entrances and exits, missed cues, missed lines, and bothersome props, including several plates of sardines, Lloyd, the director, is beyond frustrated. Seen from backstage, Act 2 provides a view of the dysfunctional relationships between the cast. Romantic rivalries, lovers' tiffs and personal quarrels lead to offstage shenanigans, onstage bedlam and the occasional attack with a fire axe. Act 3 occurs during the play's last run where relationships between the cast have frayed considerably, the set is breaking down and props are winding up in the wrong hands, on the floor, and in the way. While the actors remain determined to cover up the mounting chaos, it's not long before the plot and script are seemingly abandoned entirely in this hilarious comedy.

MOM COLE’S

NOISES OFF

A Farcical Comedy by Michael Frayn

Directed by Jeffrey Baumgartner

June 22, 23, 24, 29, 30 and July 1, 6, 7, 8
Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Noises Off provides a glimpse into the world of theatre. The audience will witness both the rehearsal process and what goes on behind the scenes once the curtain is raised. The play opens the night before the first performance and the cast are hopelessly unready. Baffled by entrances and exits, missed cues, missed lines, and bothersome props, including several plates of sardines, Lloyd, the director, is beyond frustrated. Seen from backstage, Act 2 provides a view of the dysfunctional relationships between the cast. Romantic rivalries, lovers' tiffs and personal quarrels lead to offstage shenanigans, onstage bedlam and the occasional attack with a fire axe. Act 3 occurs during the play's last run where relationships between the cast have frayed considerably, the set is breaking down and props are winding up in the wrong hands, on the floor, and in the way. While the actors remain determined to cover up the mounting chaos, it's not long before the plot and script are seemingly abandoned entirely in this hilarious comedy.

MOM COLE’S

MOM COLE’S

NOISES OFF

A Farcical Comedy by Michael Frayn

Directed by Jeffrey Baumgartner

June 22, 23, 24, 29, 30 and July 1, 6, 7, 8
Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Noises Off provides a glimpse into the world of theatre. The audience will witness both the rehearsal process and what goes on behind the scenes once the curtain is raised. The play opens the night before the first performance and the cast are hopelessly unready. Baffled by entrances and exits, missed cues, missed lines, and bothersome props, including several plates of sardines, Lloyd, the director, is beyond frustrated. Seen from backstage, Act 2 provides a view of the dysfunctional relationships between the cast. Romantic rivalries, lovers' tiffs and personal quarrels lead to offstage shenanigans, onstage bedlam and the occasional attack with a fire axe. Act 3 occurs during the play's last run where relationships between the cast have frayed considerably, the set is breaking down and props are winding up in the wrong hands, on the floor, and in the way. While the actors remain determined to cover up the mounting chaos, it's not long before the plot and script are seemingly abandoned entirely in this hilarious comedy.

NOISES OFF

A Farcical Comedy by Michael Frayn

Directed by Jeffrey Baumgartner

June 22, 23, 24, 29, 30 and July 1, 6, 7, 8
Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Noises Off provides a glimpse into the world of theatre. The audience will witness both the rehearsal process and what goes on behind the scenes once the curtain is raised. The play opens the night before the first performance and the cast are hopelessly unready. Baffled by entrances and exits, missed cues, missed lines, and bothersome props, including several plates of sardines, Lloyd, the director, is beyond frustrated. Seen from backstage, Act 2 provides a view of the dysfunctional relationships between the cast. Romantic rivalries, lovers' tiffs and personal quarrels lead to offstage shenanigans, onstage bedlam and the occasional attack with a fire axe. Act 3 occurs during the play's last run where relationships between the cast have frayed considerably, the set is breaking down and props are winding up in the wrong hands, on the floor, and in the way. While the actors remain determined to cover up the mounting chaos, it's not long before the plot and script are seemingly abandoned entirely in this hilarious comedy.

>July 6 - 7, 2018 at Dusk | Free or VIP RESERVED TICKETS
Park performances Downtown Valparaiso
Central Park Plaza, Porter Health Amphitheater

>July 12 - 15, 2018 | Tickets & Performance Calendar
Ticketed performances at Chicago Street Theatre

CLASSIC COMEDY: Full of mistaken identity, physical humor, razor sharp wordplay and robust hilarity, Much Ado About Nothing is considered to be one of Shakespeare’s most beloved comedies. After a successful battle, Don Pedro, the Prince of Aragon, journeys to Messina to celebrate. The festivities reunite the on again/off again relationship of Beatrice and Benedick and the handsome Claudio is smitten with Hero, the beautiful daughter of their host, Leonato. After several mishaps occur during the town’s masquerade ball, gossip and rumor run rampant, calling the honor of the young daughter into question. Complete with silliness, romance, wit and memorable characters, audiences will delight at this theatrical treasure.

NOISES OFF

A Farcical Comedy by Michael Frayn

Directed by Jeffrey Baumgartner

June 22, 23, 24, 29, 30 and July 1, 6, 7, 8
Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Noises Off provides a glimpse into the world of theatre. The audience will witness both the rehearsal process and what goes on behind the scenes once the curtain is raised. The play opens the night before the first performance and the cast are hopelessly unready. Baffled by entrances and exits, missed cues, missed lines, and bothersome props, including several plates of sardines, Lloyd, the director, is beyond frustrated. Seen from backstage, Act 2 provides a view of the dysfunctional relationships between the cast. Romantic rivalries, lovers' tiffs and personal quarrels lead to offstage shenanigans, onstage bedlam and the occasional attack with a fire axe. Act 3 occurs during the play's last run where relationships between the cast have frayed considerably, the set is breaking down and props are winding up in the wrong hands, on the floor, and in the way. While the actors remain determined to cover up the mounting chaos, it's not long before the plot and script are seemingly abandoned entirely in this hilarious comedy.

>July 6 - 7, 2018 at Dusk | Free or VIP RESERVED TICKETS
Park performances Downtown Valparaiso
Central Park Plaza, Porter Health Amphitheater

>July 12 - 15, 2018 | Tickets & Performance Calendar
Ticketed performances at Chicago Street Theatre

CLASSIC COMEDY: Full of mistaken identity, physical humor, razor sharp wordplay and robust hilarity, Much Ado About Nothing is considered to be one of Shakespeare’s most beloved comedies. After a successful battle, Don Pedro, the Prince of Aragon, journeys to Messina to celebrate. The festivities reunite the on again/off again relationship of Beatrice and Benedick and the handsome Claudio is smitten with Hero, the beautiful daughter of their host, Leonato. After several mishaps occur during the town’s masquerade ball, gossip and rumor run rampant, calling the honor of the young daughter into question. Complete with silliness, romance, wit and memorable characters, audiences will delight at this theatrical treasure.

NOISES OFF

A Farcical Comedy by Michael Frayn

Directed by Jeffrey Baumgartner

June 22, 23, 24, 29, 30 and July 1, 6, 7, 8
Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Noises Off provides a glimpse into the world of theatre. The audience will witness both the rehearsal process and what goes on behind the scenes once the curtain is raised. The play opens the night before the first performance and the cast are hopelessly unready. Baffled by entrances and exits, missed cues, missed lines, and bothersome props, including several plates of sardines, Lloyd, the director, is beyond frustrated. Seen from backstage, Act 2 provides a view of the dysfunctional relationships between the cast. Romantic rivalries, lovers' tiffs and personal quarrels lead to offstage shenanigans, onstage bedlam and the occasional attack with a fire axe. Act 3 occurs during the play's last run where relationships between the cast have frayed considerably, the set is breaking down and props are winding up in the wrong hands, on the floor, and in the way. While the actors remain determined to cover up the mounting chaos, it's not long before the plot and script are seemingly abandoned entirely in this hilarious comedy.

>July 6 - 7, 2018 at Dusk | Free or VIP RESERVED TICKETS
Park performances Downtown Valparaiso
Central Park Plaza, Porter Health Amphitheater

>July 12 - 15, 2018 | Tickets & Performance Calendar
Ticketed performances at Chicago Street Theatre

CLASSIC COMEDY: Full of mistaken identity, physical humor, razor sharp wordplay and robust hilarity, Much Ado About Nothing is considered to be one of Shakespeare’s most beloved comedies. After a successful battle, Don Pedro, the Prince of Aragon, journeys to Messina to celebrate. The festivities reunite the on again/off again relationship of Beatrice and Benedick and the handsome Claudio is smitten with Hero, the beautiful daughter of their host, Leonato. After several mishaps occur during the town’s masquerade ball, gossip and rumor run rampant, calling the honor of the young daughter into question. Complete with silliness, romance, wit and memorable characters, audiences will delight at this theatrical treasure.

>July 6 - 7, 2018 at Dusk | Free or VIP RESERVED TICKETS
Park performances Downtown Valparaiso
Central Park Plaza, Porter Health Amphitheater

>July 12 - 15, 2018 | Tickets & Performance Calendar
Ticketed performances at Chicago Street Theatre

CLASSIC COMEDY: Full of mistaken identity, physical humor, razor sharp wordplay and robust hilarity, Much Ado About Nothing is considered to be one of Shakespeare’s most beloved comedies. After a successful battle, Don Pedro, the Prince of Aragon, journeys to Messina to celebrate. The festivities reunite the on again/off again relationship of Beatrice and Benedick and the handsome Claudio is smitten with Hero, the beautiful daughter of their host, Leonato. After several mishaps occur during the town’s masquerade ball, gossip and rumor run rampant, calling the honor of the young daughter into question. Complete with silliness, romance, wit and memorable characters, audiences will delight at this theatrical treasure.

>July 6 - 7, 2018 at Dusk | Free or VIP RESERVED TICKETS
Park performances Downtown Valparaiso
Central Park Plaza, Porter Health Amphitheater

>July 12 - 15, 2018 | Tickets & Performance Calendar
Ticketed performances at Chicago Street Theatre

CLASSIC COMEDY: Full of mistaken identity, physical humor, razor sharp wordplay and robust hilarity, Much Ado About Nothing is considered to be one of Shakespeare’s most beloved comedies. After a successful battle, Don Pedro, the Prince of Aragon, journeys to Messina to celebrate. The festivities reunite the on again/off again relationship of Beatrice and Benedick and the handsome Claudio is smitten with Hero, the beautiful daughter of their host, Leonato. After several mishaps occur during the town’s masquerade ball, gossip and rumor run rampant, calling the honor of the young daughter into question. Complete with silliness, romance, wit and memorable characters, audiences will delight at this theatrical treasure.

>July 6 - 7, 2018 at Dusk | Free or VIP RESERVED TICKETS
Park performances Downtown Valparaiso
Central Park Plaza, Porter Health Amphitheater

>July 12 - 15, 2018 | Tickets & Performance Calendar
Ticketed performances at Chicago Street Theatre

CLASSIC COMEDY: Full of mistaken identity, physical humor, razor sharp wordplay and robust hilarity, Much Ado About Nothing is considered to be one of Shakespeare’s most beloved comedies. After a successful battle, Don Pedro, the Prince of Aragon, journeys to Messina to celebrate. The festivities reunite the on again/off again relationship of Beatrice and Benedick and the handsome Claudio is smitten with Hero, the beautiful daughter of their host, Leonato. After several mishaps occur during the town’s masquerade ball, gossip and rumor run rampant, calling the honor of the young daughter into question. Complete with silliness, romance, wit and memorable characters, audiences will delight at this theatrical treasure.

Celebrate opening night with a party!  Our only ticketed performance of the season, this

6 pm - Reception, silent auction and refreshments.
7 pm - Performance in the Art Theatre

Free Parking and Rest Rooms available.

$20 tickets (PRESALE ONLY - no tickets available at the door)

• Saturday, July 28, 2018
• 7:00 PM  9:00 PM
• Lake Hills Amphitheatre (map)

Coffee Creek Watershed Preserve (map)

Sunday, July 29, 20187:00 PM  9:00 PM

• Saturday, August 4, 2018
• 7:00 PM  9:00 PM
• Founder's Square Park (map)

• Near the Marquette Park Pavillion
  6600 Oak Ave
  Gary, IN 46403LIMITED FREE PARKING.  Restrooms available.

  7pm FREE Outdoor Performance

• Near the Marquette Park Pavillion
  6600 Oak Ave
  Gary, IN 46403

  LIMITED FREE PARKING.  Restrooms available.

  7pm FREE Outdoor Performance

Sunset Hill Farm County Park (map)

• Free park admission.
  Free parking and restrooms available.

  7pm FREE Outdoor Performance

• Near the Marquette Park Pavillion
  6600 Oak Ave
  Gary, IN 46403

  LIMITED FREE PARKING.  Restrooms available.

  7pm FREE Outdoor Performance

WAIT UNTIL DARK

Written by Frederick Knott
Directed by Leigh Selting

August 17, 18, 19, 24, 25, 26, 31 and September 1, 2

Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Susy Hendrix is a blind Greenwich Village housewife who becomes the target of three con-men searching for a doll stuffed with heroin, which her husband Sam unwittingly transported from Canada as a favor to a woman who has since been murdered. Complicating matters, is the fact that a little girl living in an apartment upstairs has stolen the doll. Intent on retrieving the heroine, con man, Roat, leads his companion of thugs into thinking they will be rich if they find the doll. In the end, Roat turns on his companions and sets his sights on murder.

WAIT UNTIL DARK

Written by Frederick Knott
Directed by Leigh Selting

August 17, 18, 19, 24, 25, 26, 31 and September 1, 2

Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Susy Hendrix is a blind Greenwich Village housewife who becomes the target of three con-men searching for a doll stuffed with heroin, which her husband Sam unwittingly transported from Canada as a favor to a woman who has since been murdered. Complicating matters, is the fact that a little girl living in an apartment upstairs has stolen the doll. Intent on retrieving the heroine, con man, Roat, leads his companion of thugs into thinking they will be rich if they find the doll. In the end, Roat turns on his companions and sets his sights on murder.

Centennial Park Entertainment Stage (map)

• Free Parking and Rest Rooms available.

  7pm FREE Outdoor Performance

WAIT UNTIL DARK

Written by Frederick Knott
Directed by Leigh Selting

August 17, 18, 19, 24, 25, 26, 31 and September 1, 2

Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Susy Hendrix is a blind Greenwich Village housewife who becomes the target of three con-men searching for a doll stuffed with heroin, which her husband Sam unwittingly transported from Canada as a favor to a woman who has since been murdered. Complicating matters, is the fact that a little girl living in an apartment upstairs has stolen the doll. Intent on retrieving the heroine, con man, Roat, leads his companion of thugs into thinking they will be rich if they find the doll. In the end, Roat turns on his companions and sets his sights on murder.

• Near the Marquette Park Pavillion
  6600 Oak Ave
  Gary, IN 46403

  LIMITED FREE PARKING.  Restrooms available.

  7pm FREE Outdoor Performance

WAIT UNTIL DARK

Written by Frederick Knott
Directed by Leigh Selting

August 17, 18, 19, 24, 25, 26, 31 and September 1, 2

Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Susy Hendrix is a blind Greenwich Village housewife who becomes the target of three con-men searching for a doll stuffed with heroin, which her husband Sam unwittingly transported from Canada as a favor to a woman who has since been murdered. Complicating matters, is the fact that a little girl living in an apartment upstairs has stolen the doll. Intent on retrieving the heroine, con man, Roat, leads his companion of thugs into thinking they will be rich if they find the doll. In the end, Roat turns on his companions and sets his sights on murder.

Join 4th Street for an evening of original 10 plays

Chesterton Amphitheatre at Coffee Creek Watershed Preserve (map)

Join 4th Street for an evening of original 10 plays

WAIT UNTIL DARK

Written by Frederick Knott
Directed by Leigh Selting

August 17, 18, 19, 24, 25, 26, 31 and September 1, 2

Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Susy Hendrix is a blind Greenwich Village housewife who becomes the target of three con-men searching for a doll stuffed with heroin, which her husband Sam unwittingly transported from Canada as a favor to a woman who has since been murdered. Complicating matters, is the fact that a little girl living in an apartment upstairs has stolen the doll. Intent on retrieving the heroine, con man, Roat, leads his companion of thugs into thinking they will be rich if they find the doll. In the end, Roat turns on his companions and sets his sights on murder.

Join 4th Street for an evening of original 10 plays

Near the Marquette Park Pavillion
6600 Oak Ave
Gary, IN 46403

LIMITED FREE PARKING.  Restrooms available.

7pm FREE Outdoor Performance

Join 4th Street for an evening of original 10 plays

WAIT UNTIL DARK

Written by Frederick Knott
Directed by Leigh Selting

August 17, 18, 19, 24, 25, 26, 31 and September 1, 2

Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Susy Hendrix is a blind Greenwich Village housewife who becomes the target of three con-men searching for a doll stuffed with heroin, which her husband Sam unwittingly transported from Canada as a favor to a woman who has since been murdered. Complicating matters, is the fact that a little girl living in an apartment upstairs has stolen the doll. Intent on retrieving the heroine, con man, Roat, leads his companion of thugs into thinking they will be rich if they find the doll. In the end, Roat turns on his companions and sets his sights on murder.

WAIT UNTIL DARK

Written by Frederick Knott
Directed by Leigh Selting

August 17, 18, 19, 24, 25, 26, 31 and September 1, 2

Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Susy Hendrix is a blind Greenwich Village housewife who becomes the target of three con-men searching for a doll stuffed with heroin, which her husband Sam unwittingly transported from Canada as a favor to a woman who has since been murdered. Complicating matters, is the fact that a little girl living in an apartment upstairs has stolen the doll. Intent on retrieving the heroine, con man, Roat, leads his companion of thugs into thinking they will be rich if they find the doll. In the end, Roat turns on his companions and sets his sights on murder.

Join 4th Street for an evening of original 10 plays

WAIT UNTIL DARK

Written by Frederick Knott
Directed by Leigh Selting

August 17, 18, 19, 24, 25, 26, 31 and September 1, 2

Performances on Friday/Saturdays at 7PM & Sundays 2 PM CST

Susy Hendrix is a blind Greenwich Village housewife who becomes the target of three con-men searching for a doll stuffed with heroin, which her husband Sam unwittingly transported from Canada as a favor to a woman who has since been murdered. Complicating matters, is the fact that a little girl living in an apartment upstairs has stolen the doll. Intent on retrieving the heroine, con man, Roat, leads his companion of thugs into thinking they will be rich if they find the doll. In the end, Roat turns on his companions and sets his sights on murder.

Join 4th Street for an evening of original 10 plays

AFTER PAUL McCARTNEY

A New Play

Written by David Hoppe

Directed by John Green

September 14, 15, 16, 21, 22

Performances on Fridays/Saturdays at 7PM & Sundays 2 PM CST

Written by local playwright, David Hoppe, After Paul McCartney tells the story of two die-hard fans in search of Paul McCartney post Beatles break-up. Determined their idol will invite them for a chat once they locate him, their journey takes them across America where they encounter several mishaps and misadventures. In the end they're almost certain McCartney will come to their rescue.

AFTER PAUL McCARTNEY

A New Play

Written by David Hoppe

Directed by John Green

September 14, 15, 16, 21, 22

Performances on Fridays/Saturdays at 7PM & Sundays 2 PM CST

Written by local playwright, David Hoppe, After Paul McCartney tells the story of two die-hard fans in search of Paul McCartney post Beatles break-up. Determined their idol will invite them for a chat once they locate him, their journey takes them across America where they encounter several mishaps and misadventures. In the end they're almost certain McCartney will come to their rescue.

• Saturday, September 15, 2018
• 7:30 PM  8:30 PM
• IU Northwest Arts and Sciences Building (map)

• Sunday, September 16, 2018
• 2:30 PM  4:30 PM
• IU Northwest Arts and Sciences Building (map)

AFTER PAUL McCARTNEY

A New Play

Written by David Hoppe

Directed by John Green

September 14, 15, 16, 21, 22

Performances on Fridays/Saturdays at 7PM & Sundays 2 PM CST

Written by local playwright, David Hoppe, After Paul McCartney tells the story of two die-hard fans in search of Paul McCartney post Beatles break-up. Determined their idol will invite them for a chat once they locate him, their journey takes them across America where they encounter several mishaps and misadventures. In the end they're almost certain McCartney will come to their rescue.

AFTER PAUL McCARTNEY

A New Play

Written by David Hoppe

Directed by John Green

September 14, 15, 16, 21, 22

Performances on Fridays/Saturdays at 7PM & Sundays 2 PM CST

Written by local playwright, David Hoppe, After Paul McCartney tells the story of two die-hard fans in search of Paul McCartney post Beatles break-up. Determined their idol will invite them for a chat once they locate him, their journey takes them across America where they encounter several mishaps and misadventures. In the end they're almost certain McCartney will come to their rescue.

HARVEY

Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.

A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.

HARVEY

Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.

A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.

HARVEY

Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.

A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.

HARVEY

Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.

A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.

HARVEY

Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.

A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.

HARVEY

Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.

A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.

Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.

A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.

Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.

A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.

Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.

A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.

Directed by Wayne Puchkors

Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.

Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.

Directed by Wayne Puchkors

Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.

Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.

Directed by Wayne Puchkors

Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.

Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.

Directed by Wayne Puchkors

Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.

Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.

Directed by Wayne Puchkors

Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.

Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.

Directed by Wayne Puchkors

Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.

Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.