Dillinger: The Man Behind The Myth

01/12/2020 2:00 pm - 2:00 pm
Beatniks on Conkey
Address: 418 Conkey St, Hammond, IN 46324, USA

A staged reading of a new play by Jerry Holt. One performance only followed by a talkback with the author.

January 12, 2020
2 pm
Beatniks on Conkey
420 Conkey Street, Hammond IN

DILLINGER
The Man Behind the Myth
Takes a critical look at life, love, friendship, and education when a small-town boy makes his way to the big city, and what can happen when you just want to watch a movie.
Supported by a grant from Indiana Arts Commission and South Shore Arts.

$10 general admission

Related upcoming events

  • 01/18/2020 8:00 pm - 01/18/2020 8:00 pm
    January 18th 2020   BEATNIKS will be celebrating our 12th Anniversary !!
    Come join us at 8 PM for a recap of past years and a preview of our 2020 Season
    ~~ songs, dance, comedy, improv, skits and fun for all!!~~ 
  • 02/07/2020 8:00 pm - 02/07/2020 8:00 pm

    George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

  • 02/08/2020 8:00 pm - 02/08/2020 8:00 pm

    George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

  • 02/09/2020 2:00 pm - 02/09/2020 2:00 pm

    George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

  • 02/14/2020 8:00 pm - 02/14/2020 8:00 pm

    George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

  • 02/15/2020 8:00 pm - 02/15/2020 8:00 pm

    George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

  • 02/16/2020 2:00 pm - 02/16/2020 2:00 pm

    George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

  • 03/13/2020 8:00 pm - 03/13/2020 8:00 pm
    How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
    Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
    Produced with special arrangements with Dramatist Play Service
  • 03/14/2020 8:00 pm - 03/14/2020 8:00 pm
    How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
    Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
    Produced with special arrangements with Dramatist Play Service
  • 03/14/2020 8:00 pm - 03/14/2020 8:00 pm
    No additional details for this event.
  • 03/18/2020 10:00 am - 03/18/2020 10:00 am

    For one day only, we will receive a donation for each receipt collected at the Valpo Five Guys store. Please bring your friends! After all, it's a chance for all of us to help our cause and enjoy great food!

    Just show this facebook event when ordering and RPAC will receive 20% of each sale AND an extra $1 for every milkshake!

  • 03/20/2020 8:00 pm - 03/20/2020 8:00 pm
    How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
    Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
    Produced with special arrangements with Dramatist Play Service
  • 03/21/2020 8:00 pm - 03/21/2020 8:00 pm
    How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
    Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
    Produced with special arrangements with Dramatist Play Service
  • 03/22/2020 3:00 pm - 03/22/2020 3:00 pm
    How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
    Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
    Produced with special arrangements with Dramatist Play Service
  • 03/23/2020 7:00 pm - 03/23/2020 7:00 pm
    No additional details for this event.
  • 03/26/2020 8:00 pm - 03/26/2020 8:00 pm
    How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
    Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
    Produced with special arrangements with Dramatist Play Service
  • 03/27/2020 8:00 pm - 03/27/2020 8:00 pm
    How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
    Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
    Produced with special arrangements with Dramatist Play Service
  • 03/28/2020 8:00 pm - 03/28/2020 8:00 pm
    How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
    Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
    Produced with special arrangements with Dramatist Play Service
  • 03/29/2020 3:00 pm - 03/29/2020 3:00 pm
    How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
    Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
    Produced with special arrangements with Dramatist Play Service
  • 04/02/2020 7:30 pm - 04/02/2020 7:30 pm

    WHERE:
    Studio Theatre at Indiana University Northwest
    Arts and Sciences Building, 2nd Floor, room 2007
    3401 Broadway, Gary, IN

    PARKING:
    Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway.

  • 04/03/2020 7:30 pm - 04/03/2020 7:30 pm

    WHERE:
    Studio Theatre at Indiana University Northwest
    Arts and Sciences Building, 2nd Floor, room 2007
    3401 Broadway, Gary, IN

    PARKING:
    Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway.

  • 04/04/2020 3:00 pm - 04/04/2020 3:00 pm

    WHERE:
    Studio Theatre at Indiana University Northwest
    Arts and Sciences Building, 2nd Floor, room 2007
    3401 Broadway, Gary, IN

    PARKING:
    Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway.

  • 04/08/2020 3:00 pm - 04/08/2020 3:00 pm

    WHERE:
    Studio Theatre at Indiana University Northwest
    Arts and Sciences Building, 2nd Floor, room 2007
    3401 Broadway, Gary, IN

    PARKING:
    Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway.

  • 04/09/2020 7:30 pm - 04/09/2020 7:30 pm

    WHERE:
    Studio Theatre at Indiana University Northwest
    Arts and Sciences Building, 2nd Floor, room 2007
    3401 Broadway, Gary, IN

    PARKING:
    Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway.

  • 04/10/2020 7:30 pm - 04/10/2020 7:30 pm

    WHERE:
    Studio Theatre at Indiana University Northwest
    Arts and Sciences Building, 2nd Floor, room 2007
    3401 Broadway, Gary, IN

    PARKING:
    Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway.

  • 04/11/2020 3:00 pm - 04/11/2020 3:00 pm

    WHERE:
    Studio Theatre at Indiana University Northwest
    Arts and Sciences Building, 2nd Floor, room 2007
    3401 Broadway, Gary, IN

    PARKING:
    Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway.

  • 04/17/2020 8:00 pm - 04/17/2020 8:00 pm

    Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

  • 04/18/2020 8:00 pm - 04/18/2020 8:00 pm

    Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

  • 04/19/2020 2:00 pm - 04/19/2020 2:00 pm

    Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

  • 04/24/2020 6:30 pm - 04/24/2020 6:30 pm

    Text 219-776-0888 for tickets

     

    Friday & Saturdays - DInner at 6:30, show at 8:00

    Sunday - dinner at 12:30, show at 2:00

  • 04/24/2020 8:00 pm - 04/24/2020 8:00 pm

    Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

  • 04/25/2020 6:30 pm - 04/25/2020 6:30 pm

    Text 219-776-0888 for tickets

     

    Friday & Saturdays - DInner at 6:30, show at 8:00

    Sunday - dinner at 12:30, show at 2:00

  • 04/25/2020 8:00 pm - 04/25/2020 8:00 pm

    Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

  • 04/26/2020 12:30 pm - 04/26/2020 12:30 pm

    Text 219-776-0888 for tickets

     

    Friday & Saturdays - DInner at 6:30, show at 8:00

    Sunday - dinner at 12:30, show at 2:00

  • 04/26/2020 2:00 pm - 04/26/2020 2:00 pm

    Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

  • 05/01/2020 6:30 pm - 05/01/2020 6:30 pm

    Text 219-776-0888 for tickets

     

    Friday & Saturdays - DInner at 6:30, show at 8:00

    Sunday - dinner at 12:30, show at 2:00

  • 05/02/2020 8:00 pm - 05/02/2020 8:00 pm
    No additional details for this event.
  • 05/03/2020 2:00 pm - 05/03/2020 2:00 pm
    No additional details for this event.
  • 05/15/2020 8:00 pm - 05/15/2020 8:00 pm
    No additional details for this event.
  • 05/16/2020 8:00 pm - 05/16/2020 8:00 pm
    No additional details for this event.
  • 05/17/2020 2:00 pm - 05/17/2020 2:00 pm
    No additional details for this event.
  • 06/05/2020 8:00 pm - 06/05/2020 8:00 pm
    No additional details for this event.
  • 06/06/2020 8:00 pm - 06/06/2020 8:00 pm
    No additional details for this event.
  • 06/07/2020 2:00 pm - 06/07/2020 2:00 pm
    No additional details for this event.
  • 06/12/2020 8:00 pm - 06/12/2020 8:00 pm
    No additional details for this event.
  • 06/13/2020 8:00 pm - 06/13/2020 8:00 pm
    No additional details for this event.
  • 06/14/2020 2:00 pm - 06/14/2020 2:00 pm
    No additional details for this event.