This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

This comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine.

A one-act based on the book by Daniel Keyes

This hit play is about a mentally challenged man whose intelligence is surgically improved to genius level and the social and moral dilemmas that arise from this scientific experiment.

**Shows will be performed at Anderson Winery and Vineyard for one weekend only doing 5 shows.
Fri the 1st. at 7:30 pm
Then
Sat and Sunday the 2nd and 3rd will be at 2:00 PM and 7:30 PM

A one-act based on the book by Daniel Keyes

This hit play is about a mentally challenged man whose intelligence is surgically improved to genius level and the social and moral dilemmas that arise from this scientific experiment.

**Shows will be performed at Anderson Winery and Vineyard for one weekend only doing 5 shows.
Fri the 1st. at 7:30 pm
Then
Sat and Sunday the 2nd and 3rd will be at 2:00 PM and 7:30 PM

A one-act based on the book by Daniel Keyes

This hit play is about a mentally challenged man whose intelligence is surgically improved to genius level and the social and moral dilemmas that arise from this scientific experiment.

**Shows will be performed at Anderson Winery and Vineyard for one weekend only doing 5 shows.
Fri the 1st. at 7:30 pm
Then
Sat and Sunday the 2nd and 3rd will be at 2:00 PM and 7:30 PM

A one-act based on the book by Daniel Keyes

This hit play is about a mentally challenged man whose intelligence is surgically improved to genius level and the social and moral dilemmas that arise from this scientific experiment.

**Shows will be performed at Anderson Winery and Vineyard for one weekend only doing 5 shows.
Fri the 1st. at 7:30 pm
Then
Sat and Sunday the 2nd and 3rd will be at 2:00 PM and 7:30 PM

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

Antigone Now by Mellisa Copper, presented by the HAST Theater of the Hammond Academy of Science and Technology. It’s been a year of Antigone - she found out her mom is also her grandma, her king father killed the old king who was his own father, her brothers killed each other in a civil war, and she’s had many mental breakdowns leading to hospitalization, rehab, and arrests. But now, her new king and uncle, Creon, has forbidden her from burying her brother, Polyneices. And you thought your family was complicated... Performances will take place at Beatniks on Conkey in Hammond. SHOWTIMES: Friday, and Saturday Nov 8 and 9 - 7:00 PM and Sunday, Nov 10- 2:00pm. The cost to see Antigone is $10.00 for students and $12.00 for adults.

Antigone Now by Mellisa Copper, presented by the HAST Theater of the Hammond Academy of Science and Technology. It’s been a year of Antigone - she found out her mom is also her grandma, her king father killed the old king who was his own father, her brothers killed each other in a civil war, and she’s had many mental breakdowns leading to hospitalization, rehab, and arrests. But now, her new king and uncle, Creon, has forbidden her from burying her brother, Polyneices. And you thought your family was complicated... Performances will take place at Beatniks on Conkey in Hammond. SHOWTIMES: Friday, and Saturday Nov 8 and 9 - 7:00 PM and Sunday, Nov 10- 2:00pm. The cost to see Antigone is $10.00 for students and $12.00 for adults.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

Antigone Now by Mellisa Copper, presented by the HAST Theater of the Hammond Academy of Science and Technology. It’s been a year of Antigone - she found out her mom is also her grandma, her king father killed the old king who was his own father, her brothers killed each other in a civil war, and she’s had many mental breakdowns leading to hospitalization, rehab, and arrests. But now, her new king and uncle, Creon, has forbidden her from burying her brother, Polyneices. And you thought your family was complicated... Performances will take place at Beatniks on Conkey in Hammond. SHOWTIMES: Friday, and Saturday Nov 8 and 9 - 7:00 PM and Sunday, Nov 10- 2:00pm. The cost to see Antigone is $10.00 for students and $12.00 for adults.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

THE STORY: Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that—due to his painful shyness—suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony’s father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. Their journey is heartbreaking, funny as hell, and ultimately deeply moving. OUTSIDE MULLINGAR is a compassionate, delightful work about how it’s never too late to take a chance on love.

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

Greetings!
by Tom Dudzick

Andy has a sweet Catholic mother, a sour Catholic father and an intellectually disabled younger brother named Mickey. When he brings his Jewish atheist fiance to meet the folks on Christmas Eve, his worst fears about family blow-ups are realized. But when Mickey, whose entire vocabulary has been limited to "oh boy" and "wow," suddenly spouts the word "Greetings!" the entire family's belief system is turned upside down. For it seems an ancient, wise and witty spirit who is set upon healing the family's wounds has borrowed Mickey's body!

Chapter Two
by Neil Simon
directed by Andy Leahy

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

Chapter Two
by Neil Simon
directed by Andy Leahy

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

Chapter Two
by Neil Simon
directed by Andy Leahy

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

Chapter Two
by Neil Simon
directed by Andy Leahy

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

Chapter Two
by Neil Simon
directed by Andy Leahy

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

Chapter Two
by Neil Simon
directed by Andy Leahy

George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.

Denial
A Drama by Peter Sagal
directed by Wayne Puchkors

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

Denial
A Drama by Peter Sagal
directed by Wayne Puchkors

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.

Denial
A Drama by Peter Sagal
directed by Wayne Puchkors

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.