Hamlet

09/16/2018 2:30 pm - 2:30 pm

http://www.garyshakesco.org/

Address: 3401 Broadway, Gary, in

Sunday, September 16, 2018
2:30 PM 4:30 PM
IU Northwest Arts and Sciences Building (map)

Hosted by the IU Northwest Performing Arts Program.

Performance will take place on the beautiful new 500-seat Theatre Northwest Mainstage on the second floor of the Arts and Sciences Building. We recommend parking in the IUN lot at Broadway and 35th, and following the signs.

Free Parking and Restrooms available.

7:30 pm Indoor performance.

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call 219-852-0848 for reservations or more information
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directed by Wayne Puchkors
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Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illinois
Performances at Beatniks On Conkey
420 Conkey St. Hammond, IN 2 blocks east of Hohman Avenue.
call 219-852-0848 for reservations or more information
Seating is limited. Reservations strongly suggested.
$15, cash only at the door, buy tickets in advance online
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Friday,, at 8:00 p.m.
Saturday, at 8:00 p.m.
Sunday, at 2:00 p.m..
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Saturday, at 8:00 p.m.
Sunday, at 2:00 p.m.
Story Synopsis:

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.
"This drama is practically radioactive with relevance. The issues in this case are so loaded that they are guaranteed to push emotional buttons in anyone who sees [it]. And Mr. Sagal is to be admired for offering no easy answers. There is unquestionably the stuff of great drama in Denial." - (New York Times)
Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illinois
Performances at Beatniks On Conkey
420 Conkey St. Hammond, IN 2 blocks east of Hohman Avenue.
call 219-852-0848 for reservations or more information
Seating is limited. Reservations strongly suggested.
$15, cash only at the door, buy tickets in advance online
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directed by Wayne Puchkors
Performance Dates:

August 13, 14, 15, 20, 21 & 22, 2021!

Friday,, at 8:00 p.m.
Saturday, at 8:00 p.m.
Sunday, at 2:00 p.m..
Friday, at 8:00 p.m.
Saturday, at 8:00 p.m.
Sunday, at 2:00 p.m.
Story Synopsis:

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.
"This drama is practically radioactive with relevance. The issues in this case are so loaded that they are guaranteed to push emotional buttons in anyone who sees [it]. And Mr. Sagal is to be admired for offering no easy answers. There is unquestionably the stuff of great drama in Denial." - (New York Times)
Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illinois
Performances at Beatniks On Conkey
420 Conkey St. Hammond, IN 2 blocks east of Hohman Avenue.
call 219-852-0848 for reservations or more information
Seating is limited. Reservations strongly suggested.
$15, cash only at the door, buy tickets in advance online
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08/22/2021 2:00 pm - 08/22/2021 2:00 pm
Denial by Peter Sagal
directed by Wayne Puchkors
Performance Dates:

August 13, 14, 15, 20, 21 & 22, 2021!

Friday,, at 8:00 p.m.
Saturday, at 8:00 p.m.
Sunday, at 2:00 p.m..
Friday, at 8:00 p.m.
Saturday, at 8:00 p.m.
Sunday, at 2:00 p.m.
Story Synopsis:

Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.
"This drama is practically radioactive with relevance. The issues in this case are so loaded that they are guaranteed to push emotional buttons in anyone who sees [it]. And Mr. Sagal is to be admired for offering no easy answers. There is unquestionably the stuff of great drama in Denial." - (New York Times)
Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illinois
Performances at Beatniks On Conkey
420 Conkey St. Hammond, IN 2 blocks east of Hohman Avenue.
call 219-852-0848 for reservations or more information
Seating is limited. Reservations strongly suggested.
$15, cash only at the door, buy tickets in advance online
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How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
Produced with special arrangements with Dramatist Play Service
Art
09/11/2021 8:00 pm - 09/11/2021 8:00 pm
How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
Produced with special arrangements with Dramatist Play Service
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How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
Produced with special arrangements with Dramatist Play Service
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How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
Produced with special arrangements with Dramatist Play Service
Art
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How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
Produced with special arrangements with Dramatist Play Service
Art
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How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
Produced with special arrangements with Dramatist Play Service
Art
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How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
Produced with special arrangements with Dramatist Play Service
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09/26/2021 3:00 pm - 09/26/2021 3:00 pm
How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.
Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.
Produced with special arrangements with Dramatist Play Service