Hosted by the IU Northwest Performing Arts Program.
Performance will take place on the beautiful new 500-seat Theatre Northwest Mainstage on the second floor of the Arts and Sciences Building. We recommend parking in the IUN lot at Broadway and 35th, and following the signs.
Free Parking and Restrooms available.
7:30 pm Indoor performance.
AFTER PAUL McCARTNEY
A New Play
Written by David Hoppe
Directed by John Green
September 14, 15, 16, 21, 22
Performances on Fridays/Saturdays at 7PM & Sundays 2 PM CST
Written by local playwright, David Hoppe, After Paul McCartney tells the story of two die-hard fans in search of Paul McCartney post Beatles break-up. Determined their idol will invite them for a chat once they locate him, their journey takes them across America where they encounter several mishaps and misadventures. In the end they're almost certain McCartney will come to their rescue.
AFTER PAUL McCARTNEY
A New Play
Written by David Hoppe
Directed by John Green
September 14, 15, 16, 21, 22
Performances on Fridays/Saturdays at 7PM & Sundays 2 PM CST
Written by local playwright, David Hoppe, After Paul McCartney tells the story of two die-hard fans in search of Paul McCartney post Beatles break-up. Determined their idol will invite them for a chat once they locate him, their journey takes them across America where they encounter several mishaps and misadventures. In the end they're almost certain McCartney will come to their rescue.
Location: Studio Theatre
Performances: Sept. 28 and Oct. 5 at 8 p.m. and Sept. 29, 30 and Oct. 6, 7 at 2 p.m.
About the Performance:
Since the sudden death of his favorite student, high-school teacher Larry Morrow has been falling asleep at his desk and dreaming. As Larry’s dreams intensify, a shocking secret is exposed. A secret that will change everything. Searing yet surprisingly funny, The Dream of the Burning Boy is about finding the strength to move on, and the courage to live without regret.
Location: Studio Theatre
Performances: Sept. 28 and Oct. 5 at 8 p.m. and Sept. 29, 30 and Oct. 6, 7 at 2 p.m.
About the Performance:
Since the sudden death of his favorite student, high-school teacher Larry Morrow has been falling asleep at his desk and dreaming. As Larry’s dreams intensify, a shocking secret is exposed. A secret that will change everything. Searing yet surprisingly funny, The Dream of the Burning Boy is about finding the strength to move on, and the courage to live without regret.
Location: Studio Theatre
Performances: Sept. 28 and Oct. 5 at 8 p.m. and Sept. 29, 30 and Oct. 6, 7 at 2 p.m.
About the Performance:
Since the sudden death of his favorite student, high-school teacher Larry Morrow has been falling asleep at his desk and dreaming. As Larry’s dreams intensify, a shocking secret is exposed. A secret that will change everything. Searing yet surprisingly funny, The Dream of the Burning Boy is about finding the strength to move on, and the courage to live without regret.
Location: Studio Theatre
Performances: Sept. 28 and Oct. 5 at 8 p.m. and Sept. 29, 30 and Oct. 6, 7 at 2 p.m.
About the Performance:
Since the sudden death of his favorite student, high-school teacher Larry Morrow has been falling asleep at his desk and dreaming. As Larry’s dreams intensify, a shocking secret is exposed. A secret that will change everything. Searing yet surprisingly funny, The Dream of the Burning Boy is about finding the strength to move on, and the courage to live without regret.
Location: Studio Theatre
Performances: Sept. 28 and Oct. 5 at 8 p.m. and Sept. 29, 30 and Oct. 6, 7 at 2 p.m.
About the Performance:
Since the sudden death of his favorite student, high-school teacher Larry Morrow has been falling asleep at his desk and dreaming. As Larry’s dreams intensify, a shocking secret is exposed. A secret that will change everything. Searing yet surprisingly funny, The Dream of the Burning Boy is about finding the strength to move on, and the courage to live without regret.
Location: Studio Theatre
Performances: Sept. 28 and Oct. 5 at 8 p.m. and Sept. 29, 30 and Oct. 6, 7 at 2 p.m.
About the Performance:
Since the sudden death of his favorite student, high-school teacher Larry Morrow has been falling asleep at his desk and dreaming. As Larry’s dreams intensify, a shocking secret is exposed. A secret that will change everything. Searing yet surprisingly funny, The Dream of the Burning Boy is about finding the strength to move on, and the courage to live without regret.
Firday Oct 19, Sunday 21
Nov 2, 3 & 4th
Friday & Saturday - Dinner at 6:30, Show at 8
Sunday - Dinner at 12:30, Show at 2
Firday Oct 19, Sunday 21
Nov 2, 3 & 4th
Friday & Saturday - Dinner at 6:30, Show at 8
Sunday - Dinner at 12:30, Show at 2
A unique theatrical experience, this play attempts to convince the audience that they are watching the performance breakdown before their very eyes. The “playwright” Lisa explains that she has written a “multi-character exploration of issues of health and illness both in the individual and in a community.” She has hired actors to play the other characters and has even brought her mother, Ann, to observe and participate. But from the very beginning, Ann second guesses Lisa’s telling of the story, and as the evening progresses, the other actors join in the criticism. Ultimately Lisa is forced to confront her own biases and acknowledge the heartbreaking challenge of true empathy, even toward those we love the most.
Director: Lee F. Orchard
Location: University Theatre
Performances: Nov. 1 and 2 at 8 p.m., Nov. 3 and 4 at 2 p.m.
About the Performance:
Lady Windermere has her suspicions that her husband of just under two years is having an affair with another woman. After he denies her allegations, she decides to invite the woman in question to her 21st birthday party.
Oscar Wilde’s comedy is set in 19th-century London, and sees Wilde poke fun at the social upper classes, and their moral attitudes, of the period. It’s a play about relationships and infidelity in English high society.
A unique theatrical experience, this play attempts to convince the audience that they are watching the performance breakdown before their very eyes. The “playwright” Lisa explains that she has written a “multi-character exploration of issues of health and illness both in the individual and in a community.” She has hired actors to play the other characters and has even brought her mother, Ann, to observe and participate. But from the very beginning, Ann second guesses Lisa’s telling of the story, and as the evening progresses, the other actors join in the criticism. Ultimately Lisa is forced to confront her own biases and acknowledge the heartbreaking challenge of true empathy, even toward those we love the most.
Director: Lee F. Orchard
Location: University Theatre
Performances: Nov. 1 and 2 at 8 p.m., Nov. 3 and 4 at 2 p.m.
About the Performance:
Lady Windermere has her suspicions that her husband of just under two years is having an affair with another woman. After he denies her allegations, she decides to invite the woman in question to her 21st birthday party.
Oscar Wilde’s comedy is set in 19th-century London, and sees Wilde poke fun at the social upper classes, and their moral attitudes, of the period. It’s a play about relationships and infidelity in English high society.
Firday Oct 19, Sunday 21
Nov 2, 3 & 4th
Friday & Saturday - Dinner at 6:30, Show at 8
Sunday - Dinner at 12:30, Show at 2
Director: Lee F. Orchard
Location: University Theatre
Performances: Nov. 1 and 2 at 8 p.m., Nov. 3 and 4 at 2 p.m.
About the Performance:
Lady Windermere has her suspicions that her husband of just under two years is having an affair with another woman. After he denies her allegations, she decides to invite the woman in question to her 21st birthday party.
Oscar Wilde’s comedy is set in 19th-century London, and sees Wilde poke fun at the social upper classes, and their moral attitudes, of the period. It’s a play about relationships and infidelity in English high society.
A unique theatrical experience, this play attempts to convince the audience that they are watching the performance breakdown before their very eyes. The “playwright” Lisa explains that she has written a “multi-character exploration of issues of health and illness both in the individual and in a community.” She has hired actors to play the other characters and has even brought her mother, Ann, to observe and participate. But from the very beginning, Ann second guesses Lisa’s telling of the story, and as the evening progresses, the other actors join in the criticism. Ultimately Lisa is forced to confront her own biases and acknowledge the heartbreaking challenge of true empathy, even toward those we love the most.
Firday Oct 19, Sunday 21
Nov 2, 3 & 4th
Friday & Saturday - Dinner at 6:30, Show at 8
Sunday - Dinner at 12:30, Show at 2
Firday Oct 19, Sunday 21
Nov 2, 3 & 4th
Friday & Saturday - Dinner at 6:30, Show at 8
Sunday - Dinner at 12:30, Show at 2
Director: Lee F. Orchard
Location: University Theatre
Performances: Nov. 1 and 2 at 8 p.m., Nov. 3 and 4 at 2 p.m.
About the Performance:
Lady Windermere has her suspicions that her husband of just under two years is having an affair with another woman. After he denies her allegations, she decides to invite the woman in question to her 21st birthday party.
Oscar Wilde’s comedy is set in 19th-century London, and sees Wilde poke fun at the social upper classes, and their moral attitudes, of the period. It’s a play about relationships and infidelity in English high society.
A unique theatrical experience, this play attempts to convince the audience that they are watching the performance breakdown before their very eyes. The “playwright” Lisa explains that she has written a “multi-character exploration of issues of health and illness both in the individual and in a community.” She has hired actors to play the other characters and has even brought her mother, Ann, to observe and participate. But from the very beginning, Ann second guesses Lisa’s telling of the story, and as the evening progresses, the other actors join in the criticism. Ultimately Lisa is forced to confront her own biases and acknowledge the heartbreaking challenge of true empathy, even toward those we love the most.
A unique theatrical experience, this play attempts to convince the audience that they are watching the performance breakdown before their very eyes. The “playwright” Lisa explains that she has written a “multi-character exploration of issues of health and illness both in the individual and in a community.” She has hired actors to play the other characters and has even brought her mother, Ann, to observe and participate. But from the very beginning, Ann second guesses Lisa’s telling of the story, and as the evening progresses, the other actors join in the criticism. Ultimately Lisa is forced to confront her own biases and acknowledge the heartbreaking challenge of true empathy, even toward those we love the most.
The authors of the musical version of The Hundred Dresses have rewritten the musical as a one-act straight play that’s perfect for competition! Wanda Petronski, a second-grader, lives way up in a shabby house in Boggins Heights, and she doesn’t have any friends. Every day she wears a faded blue dress, but she tells her classmates that she has a hundred dresses at home of all fabrics and colors. Soon Maddie, Peggy, Jack and their classmates make a game of teasing Wanda about her hundred dresses until one day she disappears from school, leaving just an empty seat where she once sat. As feelings of guilt overtake the children, Maddie and the others decide they must find out what happened to Wanda and make amends for the way they treated her. But is it too late? Bullying, friendship and forgiveness are all touched upon in this beloved Newbery Honor Book by Eleanor Estes.
A unique theatrical experience, this play attempts to convince the audience that they are watching the performance breakdown before their very eyes. The “playwright” Lisa explains that she has written a “multi-character exploration of issues of health and illness both in the individual and in a community.” She has hired actors to play the other characters and has even brought her mother, Ann, to observe and participate. But from the very beginning, Ann second guesses Lisa’s telling of the story, and as the evening progresses, the other actors join in the criticism. Ultimately Lisa is forced to confront her own biases and acknowledge the heartbreaking challenge of true empathy, even toward those we love the most.
by Mary Chase
With special permission from Dramatist Play Service Inc.
November 9, 10, 11 & 16, 17, 18 of 2018
Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.
A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.
The authors of the musical version of The Hundred Dresses have rewritten the musical as a one-act straight play that’s perfect for competition! Wanda Petronski, a second-grader, lives way up in a shabby house in Boggins Heights, and she doesn’t have any friends. Every day she wears a faded blue dress, but she tells her classmates that she has a hundred dresses at home of all fabrics and colors. Soon Maddie, Peggy, Jack and their classmates make a game of teasing Wanda about her hundred dresses until one day she disappears from school, leaving just an empty seat where she once sat. As feelings of guilt overtake the children, Maddie and the others decide they must find out what happened to Wanda and make amends for the way they treated her. But is it too late? Bullying, friendship and forgiveness are all touched upon in this beloved Newbery Honor Book by Eleanor Estes.
The authors of the musical version of The Hundred Dresses have rewritten the musical as a one-act straight play that’s perfect for competition! Wanda Petronski, a second-grader, lives way up in a shabby house in Boggins Heights, and she doesn’t have any friends. Every day she wears a faded blue dress, but she tells her classmates that she has a hundred dresses at home of all fabrics and colors. Soon Maddie, Peggy, Jack and their classmates make a game of teasing Wanda about her hundred dresses until one day she disappears from school, leaving just an empty seat where she once sat. As feelings of guilt overtake the children, Maddie and the others decide they must find out what happened to Wanda and make amends for the way they treated her. But is it too late? Bullying, friendship and forgiveness are all touched upon in this beloved Newbery Honor Book by Eleanor Estes.
A unique theatrical experience, this play attempts to convince the audience that they are watching the performance breakdown before their very eyes. The “playwright” Lisa explains that she has written a “multi-character exploration of issues of health and illness both in the individual and in a community.” She has hired actors to play the other characters and has even brought her mother, Ann, to observe and participate. But from the very beginning, Ann second guesses Lisa’s telling of the story, and as the evening progresses, the other actors join in the criticism. Ultimately Lisa is forced to confront her own biases and acknowledge the heartbreaking challenge of true empathy, even toward those we love the most.
by Mary Chase
With special permission from Dramatist Play Service Inc.
November 9, 10, 11 & 16, 17, 18 of 2018
Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.
A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.
The authors of the musical version of The Hundred Dresses have rewritten the musical as a one-act straight play that’s perfect for competition! Wanda Petronski, a second-grader, lives way up in a shabby house in Boggins Heights, and she doesn’t have any friends. Every day she wears a faded blue dress, but she tells her classmates that she has a hundred dresses at home of all fabrics and colors. Soon Maddie, Peggy, Jack and their classmates make a game of teasing Wanda about her hundred dresses until one day she disappears from school, leaving just an empty seat where she once sat. As feelings of guilt overtake the children, Maddie and the others decide they must find out what happened to Wanda and make amends for the way they treated her. But is it too late? Bullying, friendship and forgiveness are all touched upon in this beloved Newbery Honor Book by Eleanor Estes.
The authors of the musical version of The Hundred Dresses have rewritten the musical as a one-act straight play that’s perfect for competition! Wanda Petronski, a second-grader, lives way up in a shabby house in Boggins Heights, and she doesn’t have any friends. Every day she wears a faded blue dress, but she tells her classmates that she has a hundred dresses at home of all fabrics and colors. Soon Maddie, Peggy, Jack and their classmates make a game of teasing Wanda about her hundred dresses until one day she disappears from school, leaving just an empty seat where she once sat. As feelings of guilt overtake the children, Maddie and the others decide they must find out what happened to Wanda and make amends for the way they treated her. But is it too late? Bullying, friendship and forgiveness are all touched upon in this beloved Newbery Honor Book by Eleanor Estes.
Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.
A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.
by Mary Chase
With special permission from Dramatist Play Service Inc.
November 9, 10, 11 & 16, 17, 18 of 2018
by Mary Chase
With special permission from Dramatist Play Service Inc.
November 9, 10, 11 & 16, 17, 18 of 2018
Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.
A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.
by Mary Chase
With special permission from Dramatist Play Service Inc.
November 9, 10, 11 & 16, 17, 18 of 2018
Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.
A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.
by Mary Chase
With special permission from Dramatist Play Service Inc.
November 9, 10, 11 & 16, 17, 18 of 2018
Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.
A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.
A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.
Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.
A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty and love.
A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
Performances: Dec. 4 and 5 at 7:00 p.m.
About the Performance:
One-act plays, directed by senior theatre majors as part of their capstone coursework for the theatre department. Titles to be determined.
Performances: Dec. 4 and 5 at 7:00 p.m.
About the Performance:
One-act plays, directed by senior theatre majors as part of their capstone coursework for the theatre department. Titles to be determined.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
Directed by Wayne Puchkors
Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.
Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.
Directed by Wayne Puchkors
Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.
Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
Directed by Wayne Puchkors
Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.
Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
Directed by Wayne Puchkors
Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.
Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
Directed by Wayne Puchkors
Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.
Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
A Charlie Brown Christmas - By Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson
Stage adaptation by Eric Schaeffer
By special arrangement with Arthur Whitelaw and Ruby Persson
Directed by Lisa Formosa-Parmigiano and Kathleen Erny
Experience the Peanuts characters everyone knows and loves brought to life on stage. Featuring the song "Christmas Time is Here" and the music of Vince Guaraldi. A perfect way to ring in the holidays.
Directed by Wayne Puchkors
Friday, December 7, 2018, at 8:00 p.m.
Saturday, December 8 at 8:00 p.m.
Sunday, December 9 at 2:00 p.m.
Friday, December 14 at 8:00 p.m.
Saturday, December 15 at 8:00 p.m.
Sunday, December 16 at 2:00 p.m.
Keely and Du - by Jane Martin
Directed by Sherry Sweeney
An explosive and controversial drama from the author of "Talking With." Du, a right-to-life activist, and Keely, a pregnant rape victim confined by Du, transcend their circumstances and the ideological issues that separate them. "Keely and Du" is a mind-probing issue play with a gripping human face. Who is accountable? What is the extent of individual freedom? What are the rape victim's rights? What are a Christian's realities of procreation? Their passionate stories exist on the extreme edge of everyday reality.
Keely and Du - by Jane Martin
Directed by Sherry Sweeney
An explosive and controversial drama from the author of "Talking With." Du, a right-to-life activist, and Keely, a pregnant rape victim confined by Du, transcend their circumstances and the ideological issues that separate them. "Keely and Du" is a mind-probing issue play with a gripping human face. Who is accountable? What is the extent of individual freedom? What are the rape victim's rights? What are a Christian's realities of procreation? Their passionate stories exist on the extreme edge of everyday reality.
Keely and Du - by Jane Martin
Directed by Sherry Sweeney
An explosive and controversial drama from the author of "Talking With." Du, a right-to-life activist, and Keely, a pregnant rape victim confined by Du, transcend their circumstances and the ideological issues that separate them. "Keely and Du" is a mind-probing issue play with a gripping human face. Who is accountable? What is the extent of individual freedom? What are the rape victim's rights? What are a Christian's realities of procreation? Their passionate stories exist on the extreme edge of everyday reality.
Keely and Du - by Jane Martin
Directed by Sherry Sweeney
An explosive and controversial drama from the author of "Talking With." Du, a right-to-life activist, and Keely, a pregnant rape victim confined by Du, transcend their circumstances and the ideological issues that separate them. "Keely and Du" is a mind-probing issue play with a gripping human face. Who is accountable? What is the extent of individual freedom? What are the rape victim's rights? What are a Christian's realities of procreation? Their passionate stories exist on the extreme edge of everyday reality.
Keely and Du - by Jane Martin
Directed by Sherry Sweeney
An explosive and controversial drama from the author of "Talking With." Du, a right-to-life activist, and Keely, a pregnant rape victim confined by Du, transcend their circumstances and the ideological issues that separate them. "Keely and Du" is a mind-probing issue play with a gripping human face. Who is accountable? What is the extent of individual freedom? What are the rape victim's rights? What are a Christian's realities of procreation? Their passionate stories exist on the extreme edge of everyday reality.
Keely and Du - by Jane Martin
Directed by Sherry Sweeney
An explosive and controversial drama from the author of "Talking With." Du, a right-to-life activist, and Keely, a pregnant rape victim confined by Du, transcend their circumstances and the ideological issues that separate them. "Keely and Du" is a mind-probing issue play with a gripping human face. Who is accountable? What is the extent of individual freedom? What are the rape victim's rights? What are a Christian's realities of procreation? Their passionate stories exist on the extreme edge of everyday reality.
Keely and Du - by Jane Martin
Directed by Sherry Sweeney
An explosive and controversial drama from the author of "Talking With." Du, a right-to-life activist, and Keely, a pregnant rape victim confined by Du, transcend their circumstances and the ideological issues that separate them. "Keely and Du" is a mind-probing issue play with a gripping human face. Who is accountable? What is the extent of individual freedom? What are the rape victim's rights? What are a Christian's realities of procreation? Their passionate stories exist on the extreme edge of everyday reality.
Keely and Du - by Jane Martin
Directed by Sherry Sweeney
An explosive and controversial drama from the author of "Talking With." Du, a right-to-life activist, and Keely, a pregnant rape victim confined by Du, transcend their circumstances and the ideological issues that separate them. "Keely and Du" is a mind-probing issue play with a gripping human face. Who is accountable? What is the extent of individual freedom? What are the rape victim's rights? What are a Christian's realities of procreation? Their passionate stories exist on the extreme edge of everyday reality.
