call 219-374-8000 for tickets
Friday & Saturday – dinner at 6:30, show at 8:00
Sunday – dinner at 12:30, show at 2:00
Suzie Scrooge
12/21/2019 6:30 pm - 6:30 pm
Great Oaks Supper Club
Address: 13109 South Wicker Ave., Cedar Lake, Indiana 46303
Related upcoming events
- 02/07/2020 8:00 pm - 02/07/2020 8:00 pm
George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.
- 02/08/2020 8:00 pm - 02/08/2020 8:00 pm
George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.
- 02/09/2020 2:00 pm - 02/09/2020 2:00 pm
George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.
- 02/14/2020 8:00 pm - 02/14/2020 8:00 pm
George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.
- 02/15/2020 8:00 pm - 02/15/2020 8:00 pm
George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.
- 02/16/2020 2:00 pm - 02/16/2020 2:00 pm
George and Jennie are in love, utterly perfect for each other, and are getting married. There are just a few problems: 1) They’ve only been dating for two weeks. 2) George’s beloved wife of twelve years just passed away. 3) Jennie has just gone through five years of counseling which culminated in a messy divorce. George’s brother, Leo, and Jennie’s friend, Faye, don’t have it any easier. Both of their marriages are in trouble, they’re worried about George and Jennie getting married too quickly, and the two of them are thinking about having an affair with each other. Neil Simon’s semi-autobiographical Chapter Two examines what it means to truly love someone else, and asks whether finding a soulmate can happen more than once in a lifetime.
- 03/13/2020 8:00 pm - 03/13/2020 8:00 pmHow much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.Produced with special arrangements with Dramatist Play Service
- 03/14/2020 8:00 pm - 03/14/2020 8:00 pmHow much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.Produced with special arrangements with Dramatist Play Service
- 03/20/2020 8:00 pm - 03/20/2020 8:00 pmHow much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.Produced with special arrangements with Dramatist Play Service
- 03/21/2020 8:00 pm - 03/21/2020 8:00 pmHow much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.Produced with special arrangements with Dramatist Play Service
- 03/22/2020 3:00 pm - 03/22/2020 3:00 pmHow much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.Produced with special arrangements with Dramatist Play Service
- 03/26/2020 8:00 pm - 03/26/2020 8:00 pmHow much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.Produced with special arrangements with Dramatist Play Service
- 03/27/2020 8:00 pm - 03/27/2020 8:00 pmHow much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.Produced with special arrangements with Dramatist Play Service
- 03/28/2020 8:00 pm - 03/28/2020 8:00 pmHow much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.Produced with special arrangements with Dramatist Play Service
- 03/29/2020 3:00 pm - 03/29/2020 3:00 pmHow much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested, and the aftermath of action, and its reaction, affirms the power of those bonds.Winner of the 1998 Tony Award for Best Play. Winner of the 1996 Olivier Award for Best Comedy. "…wildly funny, naughtily provocative…" —NY Post. "…a nonstop cross-fire of crackling language, serious issues of life and art expressed in outbursts that sound like Don Rickles with a degree from the Sorbonne…Reza is a fiendishly clever writer…'ART' sounds like a marriage of Molière and Woody Allen…" —Newsweek. "Anyone looking for a play that is funny, sophisticated, stylish, stimulating and moving should go to 'ART'." —Independent (London). "That such a simple plot can throw up such profound and meaty ideas about the rules that dictate art and friendship is a real treat. Reza and Hampton have an acute ear for the idiocies, trivia and petty assaults that pepper the conversation between friends…The real pleasures come from Reza's creation of three beautifully defined, original characters…" —The Mail (London). "In October I called it a minor classic. Let's change that to classic comedy, period." —London Times.Produced with special arrangements with Dramatist Play Service
- 04/02/2020 7:30 pm - 04/02/2020 7:30 pm
WHERE:
Studio Theatre at Indiana University Northwest
Arts and Sciences Building, 2nd Floor, room 2007
3401 Broadway, Gary, INPARKING:
Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway. - 04/03/2020 7:30 pm - 04/03/2020 7:30 pm
WHERE:
Studio Theatre at Indiana University Northwest
Arts and Sciences Building, 2nd Floor, room 2007
3401 Broadway, Gary, INPARKING:
Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway. - 04/04/2020 3:00 pm - 04/04/2020 3:00 pm
WHERE:
Studio Theatre at Indiana University Northwest
Arts and Sciences Building, 2nd Floor, room 2007
3401 Broadway, Gary, INPARKING:
Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway. - 04/08/2020 3:00 pm - 04/08/2020 3:00 pm
WHERE:
Studio Theatre at Indiana University Northwest
Arts and Sciences Building, 2nd Floor, room 2007
3401 Broadway, Gary, INPARKING:
Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway. - 04/09/2020 7:30 pm - 04/09/2020 7:30 pm
WHERE:
Studio Theatre at Indiana University Northwest
Arts and Sciences Building, 2nd Floor, room 2007
3401 Broadway, Gary, INPARKING:
Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway. - 04/10/2020 7:30 pm - 04/10/2020 7:30 pm
WHERE:
Studio Theatre at Indiana University Northwest
Arts and Sciences Building, 2nd Floor, room 2007
3401 Broadway, Gary, INPARKING:
Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway. - 04/11/2020 3:00 pm - 04/11/2020 3:00 pm
WHERE:
Studio Theatre at Indiana University Northwest
Arts and Sciences Building, 2nd Floor, room 2007
3401 Broadway, Gary, INPARKING:
Parking at IU Northwest is FREE on evenings and weekends. We recommend parking in the small lot at 35th and Broadway. - 04/17/2020 8:00 pm - 04/17/2020 8:00 pm
Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.
- 04/18/2020 8:00 pm - 04/18/2020 8:00 pm
Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.
- 04/19/2020 2:00 pm - 04/19/2020 2:00 pm
Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.
- 04/24/2020 6:30 pm - 04/24/2020 6:30 pm
Text 219-776-0888 for tickets
Friday & Saturdays - DInner at 6:30, show at 8:00
Sunday - dinner at 12:30, show at 2:00
- 04/24/2020 8:00 pm - 04/24/2020 8:00 pm
Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.
- 04/25/2020 6:30 pm - 04/25/2020 6:30 pm
Text 219-776-0888 for tickets
Friday & Saturdays - DInner at 6:30, show at 8:00
Sunday - dinner at 12:30, show at 2:00
- 04/25/2020 8:00 pm - 04/25/2020 8:00 pm
Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.
- 04/26/2020 12:30 pm - 04/26/2020 12:30 pm
Text 219-776-0888 for tickets
Friday & Saturdays - DInner at 6:30, show at 8:00
Sunday - dinner at 12:30, show at 2:00
- 04/26/2020 2:00 pm - 04/26/2020 2:00 pm
Lawyer Abigail Gersten is brilliant, Jewish, and a First Amendment absolutist. Professor Bernard Cooper is courtly, polite and dedicated to convincing the world that the Holocaust was a Jewish hoax. When the government prosecutes him, he turns to Abby for help. Offended by censorship in any form, she takes the case, but gets quickly drawn into a moral quagmire. Opposing her is an idealistic prosecutor and a venerable Holocaust survivor who call her loyalties into question and make her confront the differences between what is legal and what is right. The conflict that ensues concerns issues of history, memory, free speech, and how the stories we tell about ourselves determine who we are.
- 05/01/2020 6:30 pm - 05/01/2020 6:30 pm
Text 219-776-0888 for tickets
Friday & Saturdays - DInner at 6:30, show at 8:00
Sunday - dinner at 12:30, show at 2:00
- 05/15/2020 8:00 pm - 05/15/2020 8:00 pmNo additional details for this event.
- 05/16/2020 8:00 pm - 05/16/2020 8:00 pmNo additional details for this event.
- 05/17/2020 2:00 pm - 05/17/2020 2:00 pmNo additional details for this event.